This is the first of several collections of media from other noteworthy films that played the Pacific Northwest in 1966. While these don't have enough content to warrant their own pages they should not be dismissed :)
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Batman (1943) - This was most likely given a theatrical reissue release due to the hype around the TV series.
The 1943 serial "Batman" is a black-and-white, 15-chapter film series that introduced audiences to one of the most iconic superheroes of all time. Produced by Columbia Pictures and directed by Lambert Hillyer, this serial marks the first time Batman appeared on the silver screen.
The plot follows Bruce Wayne, a wealthy socialite who leads a double life as the masked vigilante, Batman. Alongside him is his loyal sidekick, Robin (Dick Grayson). Together, they combat the forces of evil in Gotham City.
The primary antagonist in the serial is Dr. Daka, a Japanese mastermind and secret agent of the Axis powers during World War II. Daka's nefarious plan involves using a device that turns people into mindless zombies to aid the Axis cause. He operates from a hidden lair in Gotham's Little Tokyo and aims to undermine American society.
Throughout the serial, Batman and Robin battle with Daka's henchmen, thwarting schemes designed to wreak havoc on Gotham City. The dynamic duo employs their detective skills, combat prowess, and an array of gadgets to foil Daka's plans. Along the way, they are aided by their faithful butler, Alfred, and Bruce's love interest, Linda Page.
The serial is notable for its period-specific elements, reflecting the wartime sentiments of the 1940s. It combines action, suspense, and a touch of campiness, characteristic of the era's cinematic style.
Director: Lambert Hillyer
Writers: Bob Kane, Victor McLeod, Leslie Swabacker
Stars: Lewis Wilson, Douglas Croft, J. Carrol Naish
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January 21, 1966 ad (Portland)
April 5, 1966 ad (Seattle)
Deathwatch (1965)
"Deathwatch," also known as "Mortal Sin," is a gripping drama that delves into the psychological turmoil and moral complexities its characters face. Directed by Bernard Rapp, the film is based on the play "The Condemned of Altona" by Jean-Paul Sartre.
The story is set in post-World War II France and revolves around three prisoners: Maurice, Lefranc, and Baal. These men are confined in a French prison, each grappling with their demons and the harsh realities of their incarceration. The narrative unfolds in a confined and tense environment, heightening the psychological stakes.
Maurice is a former resistance fighter, now haunted by his past actions and the consequences they have wrought. Lefranc, on the other hand, is a petty criminal with a complicated relationship with his fellow inmates. Baal is a sociopathic inmate whose menacing presence adds a layer of unpredictability to the already volatile situation.
The film delves deeply into themes of guilt, redemption, and the human condition. Each character's backstory and motivations are explored, revealing the intricate and often painful reasons behind their imprisonment. The interactions between the prisoners are charged with tension, as alliances shift and personal agendas come to the fore.
"Deathwatch" is a powerful examination of the human psyche, showcasing the emotional and psychological struggles of it's characters as they confront their pasts and wrestle with their present circumstances. The film's claustrophobic setting and intense performances create a compelling and thought-provoking viewing experience that leaves a lasting impression on its audience.
Director: Vic Morrow
Writers: Bernard Frechtman, Jean Genet, Vic Morrow
Stars: Leonard Nimoy, Michael Forest, Paul Mazursky
March 24, 1964 ad (Portland)
March 25, 1964 ad (Portland)
I could find no records of this one ever playing Seattle. Perhaps it was too progressive for the time.
