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Riot on Sunset Strip (1967) in the PNW
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- Written by: Mortado
- Category: The 1960s in Northwest Cinemas
- Hits: 213
This is a collection of media from the initial runs of "Riot on Sunset Strip" (1964) in the Pacific Northwest. "The Wild Angels" (1966) returned as the second feature.
Click on images for larger versions.
Riot on Sunset Strip (1967)
"Riot on Sunset Strip" is a drama film set against the vibrant and tumultuous backdrop of the 1960s counterculture in Los Angeles. The film delves into the lives of a group of teenagers who hang out on the famous Sunset Strip, a hotspot for the burgeoning music scene, youth rebellion, and social change. The narrative centers around the tensions between the rebellious youth and the authorities, highlighting their generational conflict and misunderstandings.
The story follows a dedicated police sergeant caught in this clash. As he tries to maintain order on the Strip, he faces challenges posed by the youths' defiance and desire for freedom. At the same time, the sergeant's teenage daughter gets involved with the rebellious crowd, adding a personal dimension to his struggle.
The film captures the spirit of the era, showcasing the music, fashion, and attitudes that defined 1960s youth culture. It also addresses the social issues of the time, such as the quest for identity, the impact of rock 'n' roll, and the desire for social change. By portraying the events leading up to the riots on Sunset Strip, the film offers a snapshot of a pivotal moment in American history.
Director: Arthur Dreifuss
Writer: Orville H. Hampton
Stars: Aldo Ray, Mimsy Farmer, Michael Evans
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The Wild Angels (1966)
"The Wild Angels" is a seminal biker film directed by Roger Corman, capturing the rebellious spirit and counterculture of the 1960s. The movie stars Peter Fonda as Heavenly Blues, the leader of the Hell's Angels motorcycle gang in Southern California, and Nancy Sinatra as his girlfriend, Mike.
The plot kicks into gear when Blues and his gang set out to reclaim a stolen motorcycle belonging to fellow gang member, Loser, played by Bruce Dern. Their journey spirals into chaos and violence, reflecting the anarchic lifestyle of the outlaw bikers. After a confrontation with the police, Loser is critically injured, prompting the gang to stage a daring rescue from the hospital.
The film delves into the internal dynamics of the gang, showcasing their loyalty, camaraderie, and the darker aspects of their defiance against societal norms. The narrative crescendos with a funeral for Loser, which devolves into a wild, hedonistic wake that epitomizes the gang’s rejection of conventional values.
"The Wild Angels" is notable for its raw and unfiltered depiction of the biker subculture, complete with gritty cinematography and a pulsating rock soundtrack. The performances by Fonda and Sinatra anchor the film, providing a stark portrayal of characters who live by their own rules, no matter the cost. The movie's impact on the genre is significant, setting the stage for future biker films and encapsulating a slice of 1960s Americana.
Director: Roger Corman
Writers: Charles B. Griffith, Peter Bogdanovich
Stars: Peter Fonda, Nancy Sinatra, Bruce Dern
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March 23, 1967 photo (Seattle)
Riot on Sunset Strip (1967) poster
Riot on Sunset Strip (1967) trailer
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The Wild Angels (1966) trailer
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Mondo Balordo (1964) in the PNW
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- Written by: Mortado
- Category: The 1960s in Northwest Cinemas
- Hits: 203
This is a collection of media from the initial runs of Mondo Balordo (1964) in the Pacific Northwest. The NW didn't get the film during its first run but received the 1967 Crown International re-release.
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Mondo Balordo (1964)
"Mondo Balordo," released in 1964 and re-released by Crown International Pictures in 1967, is a documentary film in the Mondo genre. This style of filmmaking explores taboo topics and shocking content from around the world. The film is directed by Roberto Bianchi Montero and narrated by Boris Karloff, whose distinctive voice adds a chilling touch to the proceedings.
The film provides a window into human behavior and culture's bizarre, unusual, and controversial aspects. It takes viewers on a global journey, showcasing a series of vignettes that delve into the lives of individuals and communities engaged in practices often considered unconventional or socially unacceptable. Through a compilation of real footage, "Mondo Balordo" explores topics like exotic rituals, peculiar customs, and the lives of people living on the fringes of society.
The documentary's visual style is characterized by its raw and unfiltered approach, often blurring the lines between reality and sensationalism. The film's segments are presented without a clear narrative structure, creating a disjointed yet captivating viewing experience. The use of stark and sometimes graphic imagery highlights the stark contrasts and cultural differences existing across the globe.
While "Mondo Balordo" aims to shed light on diverse and often shocking aspects of humanity, it also raises questions about the ethics of exploitation and sensationalism in documentary filmmaking. The film's provocative content and Karloff's eerie narration contribute to its lasting impact and cult status within the Mondo genre.
Directors: Roberto Bianchi Montero, Albert T. Viola
Writers: Francesco Torti, Guido Castaldo
Stars: Boris Karloff, Federico Boido, Franz Drago
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Mondo Balordo (1964) 1967 re-release poster
Mondo Balordo (1964) trailer
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One Million Years B.C. (1966) in the PNW
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- Written by: Mortado
- Category: The 1960s in Northwest Cinemas
- Hits: 376
This is a collection of media from the initial runs of "One Million Years B.C." (1966) in the Pacific Northwest.
Click on images for larger versions.
One Million Years B.C. (1966)
"One Million Years B.C." plunges viewers into a prehistoric world where humans and dinosaurs coexist, a concept that immediately sets the stage for thrilling adventure. The story centers around Tumak, a rugged hunter from the Rock tribe, a group known for their harsh survival tactics and constant struggle against the elements and the creatures around them.
Tumak's life takes a dramatic turn when he exits his tribe, forcing him to navigate the treacherous landscape alone. He soon encounters the Shell tribe, a more peaceful and advanced community living by the coast. Here, he meets Loana, a woman who challenges his understanding of their world and introduces him to a different way of life.
The film follows Tumak's journey as he adapts to this new culture, learns their skills, and finds himself torn between his old life and the possibilities that lie with the Shell tribe. This personal struggle is set against a backdrop of breathtaking prehistoric scenery and the ever-present danger of encountering dinosaurs and other wild beasts.
"One Million Years B.C." is a classic adventure film that blends the excitement of creature encounters with a compelling human story. It explores themes of survival, adaptation, and the clash between different cultures, all within the context of a visually stunning and imaginative prehistoric world.
Director: Don Chaffey
Writers: Michael Carreras, Mickell Novack, George Baker
Stars: Raquel Welch, John Richardson, Percy Herbert
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February 28, 1967 ad (Seattle)
images/1967/0228onemillion/19670505_OneMIllionBCPDXb.JPG
May 5, 1967 ad (Portland)
One Million Years B.C. (1966) poster
One Million Years B.C. (1966) trailer
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Blow-Up (1966) in the PNW
- Details
- Written by: Mortado
- Category: The 1960s in Northwest Cinemas
- Hits: 286
This is a collection of media from the initial runs of "Blow-Up" (1966) in the Pacific Northwest.
Click on images for larger versions.
Blow-Up (1966)
"Blow-Up" is a thought-provoking 1966 film directed by Michelangelo Antonioni. Set against the vibrant backdrop of 1960s Swinging London, it follows the life of Thomas, a talented yet disillusioned fashion photographer. Thomas navigates a world filled with fashion models, parties, and art, capturing the era's essence through his lens. His seemingly monotonous routine takes an intriguing turn when he unwittingly photographs a couple in a park.
Intrigued by the images, Thomas examines the photographs closely and becomes increasingly convinced that he has inadvertently captured evidence of a crime. His obsession with uncovering the truth intensifies, leading him on a journey filled with mystery and suspense. As he delves deeper, the boundaries between reality and perception blur, raising profound questions about the nature of truth and the reliability of visual representation.
Director: Michelangelo Antonioni
Writers: Michelangelo Antonioni, Julio Cortázar, Tonino Guerra
Stars: David Hemmings, Vanessa Redgrave, Sarah Miles
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February 7, 1967 ad (Portland)
February 8, 1967 ad (Portland)
February 10, 1967 ad (Portland)
February 10, 1967 ad (Seattle)
February 11, 1967 ad (Portland)
February 11, 1967 ad (Seattle)
February 12, 1967 article (Seattle)
February 13, 1967 article (Portland)
Blow-Up (1966) trailer
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